High School Football, Catherine Opie's show at Mitchell-Innes & Nash, continues her "exploration of American spaces and communities, and the rituals and visual codes that define them."
Johannes Vanderbeek's show at Zach Feuer was prompted by the question: ‘Is it important for an artist to discuss the world around them through their work?’"
The Holy Grail, Max Gimblett's show at Gary Snyder, consists of "glossy, calligraphic abstractions in high-keyed hues, many of which feature large expanses of gold, silver, and aluminum leaf."
Andrea Galvani's show at Meulensteen consists of "an interdisciplinary body of work including sound sculpture, drawings, text-based works, collages and photographs."
The Hot Winds That Blow From The West, Bharti Kher's show at Hauser & Wirth, "further plumbs metaphysical questions raised by our relationship to life’s quotidian activities and objects."
Mary Corse's show at Lehmann Maupin continues her "exploration of radiant and reflective surfaces and her innovative technique of painting with glass microspheres."
The Bruce High Quality Brucennial, on view at 159 Bleecker Street, features close to 400 artists and is "Harderer. Betterer. Fasterer. Strongerer" than ever before.
One of my new favorite websites is Art Observed, which "covers contemporary art globally from a New York City perspective." It doesn't hurt that their editor is an extraordinary musician.