Wide and Deep, Kay Rosen's show at Sikkema Jenkins, "enlists the limits of the basic architecture of the space and the possibilities of everyday language."
Alec Soth's show at Sean Kelly reflects his "increasing interest in the mounting anger and frustration that some— specifically male— Americans feel with societal constraints and their subsequent desire to remove themselves from civilization."
The Ungovernables, the New Museum's 2012 Triennial, features "thirty-four artists, artist groups, and temporary collectives—totaling over fifty participants—born between the mid-1970s and mid-1980s, many of whom have never before exhibited in the US."
Georg Baselitz, whose career "is a constant process of counterpoint, marked by intense periods of creative activity culminating in a masterpiece or group of master works," has a show at Gagosian.
Jonathan Lasker's show at Cheim & Read "groups together twenty seminal paintings, dating from 1977–1985, which attest to the origins of his methodology, and ideas about abstraction, figuration and language."
Tom Friedman's show at Luhring Augustine, his first New York show since 2005, features "both sculptures as well as works on paper, in a wide range of materials, scales, and genres."
The Wallach Art Gallery and the Avery Architectural and Fine Arts Library at Columbia University present an exhibit on the life and work of Félix Candela.
A Place In The Sun, Hugh Scott-Douglas' show at Clifton Benevento, consists of "a series of nearly identical 30 by 40 inch works using two overlaid negatives."
Shawn Dulaney's show at Sears-Peyton features "medium to large format abstract landscapes whose translucent structures are layered with chromatic veils of light."
Doug Wheeler's SA MI 75 DZ NY 12 at David Zwirner "explores the materiality of light while emphasizing the viewer’s physical experience of infinite space."
Terry Winters' show at Matthew Marks "depicts forms inspired by mathematical concepts like tessellations and knot theory, as well as shapes from the natural and scientific worlds."